626 Royalty-Free Audio Tracks for "Soap Opera"

Ô ma lyre immortelle de l'opéra Sapho composé par Charles Gounod, interprété par Ernestine Schumann-Heink (1861-1936) en 1909

Sérénade de Méphistophélès de l'Opéra Faust de Charles Gounod, interprétée par Fédor Chaliapine

« Le veau d'or » (Faust, 1859)) de Charles Gounod Aria "Le veau d'or" ("The Golden Calf") from Charles Gounod's 1859 opera Faust, sung by Feodor Chaliapin.

O du, mein holder Abendstern from Richard Wagner's opera Tannhäuser

Fort denn eile (Fly them swiftly). From Die Walküre, second of the four operas of the Ring cycle by Richard Wagner. Act 3. Sung by Johanna Gadski, conducted by Josef Pasternack.

Le roi malgre lui (The King in Spite of Himself): "Danse Slave" performed by the Concert Band of the United States Air Force Band. Track 1 from French Impressions (2000).[1][2]

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.

Pastiche of music from Richard Wagner's opera Die Walküre.

Richard Wagner's overture to the opera Tannhäuser, played by the U.S. Marine Band for the album Director's Choice.

Siegfried Fantasie (track 4 of Music of Richard Wagner), a pastiche based on Richard Wagner's Siegfried (1876).

Іра Маланюк-Фріка-Валькірія

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:45, 21 January 2017 (UTC)) styczeń 2017.

Ambience sound of a woman cooking in a rural kitchen of a small village of nicaragua. You can hear logs in a stove, fire sparks, hot oil in a pan, hi-fi sounds, parrot, chicken, crickets, birds, television soap opera.

An abridged version of Richard Wagner's Das Liebesmahl der Apostel, performed by the United States Marine Corps Band.

The overture to Oberon, or The Elf King's Oath, performed by the U. S. Navy Band's Concert Band

Hector Berlioz's Overture to the opera Benvenuto Cellini, played by the U.S. Marine Band for the album Overtures.

Monologue ("J'ai atteint le pouvoir suprême" ["Достиг я высшей власти"] de Boris Godounov, interprétée par Fédor Chaliapine Monologue ("I have attained supreme power" ["Достиг я высшей власти"] from Modest Mussorgsky's 1872 opera Boris Godunov, sung by Feodor Chaliapin

A murder mystery/crime show jingle (new chapter, act introduction. . . ).

Rubbing mousse in my hands to sound like hand soap.

Soap dispenser sound.

A bar of soap being dropped on a countertop.

Washing hands with soap and water.

Washing my hands.

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Tap turns on water runs, then hands move under water, then tap turned off.

This is the sound of soap bubbles, it was not recorded directly from the bubbles, it was made using beatbox. Este es el sonido de burbujas de jabón, no fue grabado directamente de las burbujas, fue hecho usando beatbox.

Mouth-made sound, edited (pitch).

Squeezing an empty soap bottle.

Squirting soap into sink.

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.

Recorded with rifle mic.

Sound of someone washing their hands in a small bathroom. This sound has been recorded with a zoom recorder and it has been retouched eliminating background noise. The sound was recorded at a distance of one meter.

Sound of an empty soap bottle. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’une bouteille de savon vide. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Українська: Генрі Перселл. Опера "Дідона і Еней", запис з театралізованої постановки у Київському будинку вчених, 2 березня 2014

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

Removiendo la espuma de afeitar con una brocha de barbero. Lathering shaving soap.

Very soapy hands rubbed and pressed together. Use your imagination with this one. . . ;). Recorded on a tascam dr-01 in stereo at 16bit 41. 1khz wav.

Audio of me washing my hands in the bathroom. Perfect for a psa on using both soap and water after using the toilet.

Sound of a plastic soap bottle (opening & closing). Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’une bouteille de savon en plastique (ouverture et fermeture). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

Tale of Tsar Saltan, Op. 57: "Flight of the Bumblebee" performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Hands Across the Sea (2007).[1][2][3]

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 This is Edison Amberol #40038

Sound of someone who’s soaping himself during his shower. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’une personne qui se savonne durant sa douche. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).